Happily, there's a good deal of fun if you like things crashing violently into each other and out of warp-drive at regular intervals.
It's a timely narrative subject, but its treatment in The Reluctant Fundamentalist is fundamentally flawed.
Everyone involved at last seems to understand that the mode here is comic. Previous entries suffered from self-important glumness that gummed up the fun whenever the cars weren't racing.
For all its chasing and falling and fighting-and the movie supplies a great deal of each-Star Trek Into Darkness is at its best when the Enterprise crew are merely bickering and bantering among themselves: less space opera than soap opera.
The conceptual sci-fi of the original series is nowhere to be found, though you might enjoy watching the skinny young actors approximate their counterparts from the 60s; Chris Pine is especially good as Captain Kirk.
There is an enchanted-fairy-tale aspect to Mud, but its bright, calm surface only barely disguises a strong, churning undercurrent.
It seemed that Black Rock might take its very basic premise and use it as a platform to explore larger ideas. But even on its own terms as just a lean-and-mean genre exercise, this one's not all that interesting.
This indie, female-centric riff on "Deliverance" is spare, smartly written and shot through with moments of twig-snapping tension.
This is a lean and mean variation on a familiar theme, tense throughout, with some terrific performances.